Bibliography
PERFORMANCES:
Nostalgia arrabalera (Gutter Nostalgia)
Del rancho a la ciudad (From the Country to the City)
La mujer del Golfo ApocalÌpsis (The Woman of Apocalypse Golf)
La Ociosa...O Luz Levantate y Lucha (The Lazy One...or Oh Luz, Get up and Fight)
Heavy nopal (Ode to Lucha Reyes)
Cartas a Dragoberta (Letters to Dragoberta)
Faxes aÝ Rumberta
La Multimamda (Multibreasted Woman or The Mass Suckle)
La mujer multimedia (The Multimedia Woman)
Pecadora (Sinner)
Music CDs:
!Aye!Ý MÈxico: Discos Cabaret, 1990.Ý Madrid: Nubenegra: 1994. CorazÛn Sangrante. MÈxico: Discos Cabaret, 1997. Pecadora. Forthcoming, 2003.
VIDEO:
CuarÛn, Alfonso, et al. Solo Con Tu Pareja. VHS. Latin American Video Archives, New York, NY, 2000. Cuevas, Ximena, and Astrid Hadad. CorazÛn Sangrante. VHS format. New York Latin American Video Archives [distributor], Mexico City, 1993. Huacuja, Mal'u, Astrid Hadad, and Ximena Cuevas. Half-Lies, Paper Illusions a Selection of Videos. VHS format. Mexico City, 1997. Ipiotis, Celia, et al. Luciana ProaÒo, Astrid Hadad. VHS.Ý New York; ARC Videodance, 1992.
CRITICAL ESSAYS:
Alzate, GastÛn Adolfo. ìExpandiendo los lÌmites del teatro: Una entrevista con Astrid Hadad.îÝ Latin American Theatre Review 30:2 (1997): 153-63.
Beltr·n, Rosa. ìEntrevista con Astrid Hadad.îÝ La jornada semanal 205 (1993): 16-19.
Costantino, Roselyn.Ý ìThrough Their Eyes and Bodies. Mexican Women Performance Artists, Feminism, and Mexican Astrid Hadad. 1995.
---.Ý "'And She Wears it Well': Feminist and Cultural Debates in the Performance of Astrid Hadad."Ý In Latinas on Stage.Ý Norma AlarcÛn and Lillian Manzor, eds.Ý Berkeley: Third Woman Press, 2000. 398-421.
---. ìMemoria colectiva y cuerpo individual: PolÌtica y performance de Astrid Hadad.îÝ Conjunto 121 (2001). 40-49.
---. ìPolitics and Culture in a Diva¥s Diversion.îÝ In Women and Performance: Holy Terrors: Latin American Women Perform. A Journal of Feminist Theory. 11.2 (2000): 149-173.
---"Mujeres Inconvenientes: Memoria, PolÌtica y Performance en MÈxico." From Inconvenient Women/Mujeres inconvenientes: Social Memory, Politics, and Women¥s Performance in Mexico, book in progress. Click here for essay in Spanish.
D·vila, MarÌa del Mar.Ý ìLa mujer nocturna.îÝ X / Equis: Cultura y SociedadÝ 19 (1999): 36-42.
Nigro, Kirsten.Ý ìWomen and Mexican Society: A Few Exemplary Cases.îÝ Bucknell Review: Perspectives on Contemporary Spanish American Theatre.Ý Frank Dauster, ed. Lewisburg, PA: Bucknell UP, 1996. 53-66.
Cisneros,
Sandra (2010). "El Pleito". In Norma E. Cantú.Moctezuma's
Table: Rolando Briseño's Mexican and Chicano Tablescapes. Texas A&M
University Press. p. 125.
Levin,
Jordan (October 24, 2006). "Rebel performer: Mexico's Astrid Hadad
skewers the status quo". McClatchy.
Gutierrez,
Laura G. Performing Mexicanidad: vendidas
y cabereteras on the transnational stage. Austin: University of Texas,
2010.
Rustomji-Kerns,
Roshni (1998). Encounters: people of Asian descent in the Americas.
Rowman & Littlefield.
Taylor,
Diana (2003). Holy Terrors: Latin American Women
Perform. Duke University Press. p. 192.
Tompkins,
Cynthia; David William Foster (2001). "Astrid Hadad".Notable
twentieth-century Latin American women: a biographical dictionary.
Greenwood Publishing Group. pp. 130–134
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